物理代写,商科代写,经济学代写,会计代写---Dueessay十年的物理专业写作经验，顶尖硕博老师倾力打造。所有物理专业难题都可以找我们作业代写，accounting代写，统计代写，北美作业代写，北美代写价格机构，我们可以接受24小时急单，并提供成绩包过保障！立即联系我们吧！https://lunwen.dueessay.com/shuxdaiwuliqi/
In Bela Tarr’s The White Ribbon, a school teacher (Christian Friedel) of a village at the north of Germany has memorized the story of the village before the break out of the first World War. All children in this village live the same repressed life, and they are the suspected target for the deliberate injuries. The White Ribbon presents violence and its origin as well as the hypocrisy of the adults’ world with fixed shots in a black and white manner, indicating that the violence is the essential factor for people to make a crime.
The falling of the doctor in the opening scene is the starts of the series of the mysterious violent events. It offers a long shot that a person on the horse runs into the eyesight from far to near in an oblique direction, then the horse falls down and the person falls from the horse. This picture is finished by a fixed shot. It provides enough depth space and indicates the strangeness of the accident. The movement of the doctor and the horse does not rely on the movement of the camera. Instead, it takes fixed shots by utilizing the movement of the characters in the shot. The lighting in The White Ribbon matches uses a low-key lighting at the most time with certain utilization of bright contrast. Besides, as the movie is monochrome, the film’s tone has a natural unity. The camera and the objectives keep a certain distance all the time, and viewers can be aware of the situations they are in and act as a transparent spectator.
The white ribbon emerges soon after the opening scene, and it shows that fathers master the violent world. The white ribbon appears when the pastor (Burghart Klaußner) punishes his kids for their going home too late. He whips them with vines and ties white ribbons on their arms to remind them of their moral flaws. This scene satirized the falsehood of the pastor that he defines the immoral behaviors by himself by using the religion as the weapon. In fact, the white ribbon also appears when the pastor finds that Martin (Leonard Proxauf) has the masturbation and he ties Martin up with the reason that masturbation rebels the decree of the God. However, while the pastor does so, the doctor(Rainer Bock) commits adultery with the midwife and sexually assaults on his daughter. The different situation of Martin and the doctor forms a distinct contrast and presents the conflict values of the adults. The ribbon is white, while the reality is black. The so-called immoral events are only the presentation, and the evil of human behind the story raises thinking. It also indicates that God doesn’t exist in the adult society, and order is enough to control the world.
The beat to the retarded child finally make the Baron decide to ask polices for help, before which many accidents or violent events happen, presenting that the origin to the beat is revenge. Follow-scene is rare to see in The White Ribbon, and it is used in this sequence to show the abuse to the retarded child, who is the son of the midwife. His head in a jute bag, and his face is blood. Besides, a card is beside him with the words that the revenge will last for three or four generations. It is a night scene, and the color background is black. The scene has a low-key light including the use of the torch. This scene indicates that the beat to the retarded child is a revenge, and violence is a recurring issue. In fact, the violent events exist in the movie frequently. Violence is usual in the village that fathers will beat their kids and children will assault other kids. On the one hand, the violence comes from the male authority. Each family is abnormal, and the role of the father is under the traditional despotic power that the male takes the most important position in both the society and the family. On the other hand, the violence is from repression. It is this social power structure which takes male as the center cultivates a new generation of violence successors. The origin of the violent events is the revenge of the children while the origin of their violence is that they are treated violently.
The closing scene of the ceremony takes a fixed shot again, and it indicate the further consequence of using violence. It applies a grand view and a stable shot. This scene is a ceremony at the church on Sunday, and the background is that German is declaring wars to other countries. It expresses that all things would change from now on, and the air is filled with the sense of parting and exception. It indicates that the violence in a generation will influence the entire social atmosphere. The closing screens employ the fixed shots and the low-key light with the design of the black and white background, creating a repressed atmosphere for the violence and the hypocritical adults’ world. The framing adopts fixed shots and panorama at the most time, shaping a simple and clear structure of the scene. The stable composition is the primary manner of the framing. Due to the grand view, the depth space of the church is presented. Upstairs are the children ready to sing church songs under a command, and downstairs is the adults entering orderly. This picture shows a cold atmosphere, which makes people choking. The black and white way shows the pressed atmosphere in the village, and it presents the seriousness of violence. The film uses a combination of natural light and artificial creation that artificial light appears mostly in the room in a low and dark tone, highlighting the cold surrounding environment.
The White Ribbon presents the theme of the violence and its continuous consequence to generations and the entire society. It provides a stable composition, a variety of fixed shots, and keep distance between the camera and the character. Besides, the light in the film is in low-key lighting with the black and white color background. The technique in The White Ribbon shapes a cold and serious atmosphere, which coordinate with the repressed theme of violence and falsehood.
